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Diego Velazquez
Detail of Kitchen Scene with Christ in the House of Martha and Mary
mk170
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Diego Velazquez
Philip IV Hunting Wild Boar
mk170
Oil on canvas
182x302cm
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Diego Velazquez
Philip IV of Spain in Brown and Silver
mk170
1631-1632
Oil on canvas
195x110cm
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Diego Velazquez
Farmer meal
mk186
1618 Budapest, Szepmuveszeti Muzeum
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Diego Velazquez
Old woman in the eggs roast
mk186
1618 Edinburgh, nationally Gallery of Scotland
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Diego Velazquez
Christ in the house of Marta and Maria
mk186
1618 London nationally Gallery
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Diego Velazquez
The what server purchases of Sevilla
mk186
around 1620 London, Wellington museum
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Diego Velazquez
Horseman picture Philipps iii
mk178
around 1634/35
oil on linen
300x314cm
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Diego Velazquez
the water seller of Sevilla
mk191
circa 1620
oil on canvas
107x81cm
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Diego Velazquez
Detail of the water seller of Sevilla
mk191
Oil on canvas
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Diego Velazquez
Detail of the water seller of Sevilla
mk191
Oil on canvas
a cup of water
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Diego Velazquez
Aesop
mk214
c.1640
Oil on canvas
179x94cm
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Diego Velazquez
Aesop
mk214
1778
Etching
30.5x22c m
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Diego Velazquez
Los Borrachos
mk214
c.1628
Oil on canvas
165x225cm
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Diego Velazquez
Las Meninas
mk214
1656
Oil on canvas
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Diego Velazquez
Rokeby Venus
mk214
c.1650
Oil on canvas
122.7x177cm
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Diego Velazquez
Las Menin
mk234
1656
318x276cm
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Diego Velazquez
Francisco Lezcano
mk234
1636-38
107x83cm
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Diego Velazquez
Christ on the crosses
mk234
1631-32
248x169cm
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Diego Velazquez
Vulcanus- smithy
mk234
1630
223x290cm
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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